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The main characters of the sunstroke. Analysis "Sunstroke" Bunin. Why was the story called that?

Characteristics of the hero

A passenger on a steamboat who accidentally met beautiful woman. An unexpected passion flares up between the heroes, and they decide to go ashore in one port to spend the night together in a hotel. At first, the hero does not take this road adventure seriously. He makes an attempt in the morning to persuade the stranger to continue the journey together, but she does not agree. He accepts her refusal easily, escorts her to the steamer, feeling cheerful and free. But when P. arrives at the hotel, he feels a sharp pain because this woman is not around. Everything in the room reminds of her, everywhere traces of her recent presence. “The number without her seemed somehow completely different than it was with her. He was still full of her - and empty. It was strange! There was still the smell of her good English cologne, her unfinished cup was still on the tray, but she was no longer there ... And the lieutenant's heart suddenly contracted with such tenderness that the lieutenant hurried to light a cigarette and several times walked up and down the room. With every minute, P. realized more and more that he unexpectedly loves this woman, he needs her, he cannot imagine his future life without her. He even realized that, without hesitation, he would die the next day if he could spend this one with her, once again feeling her charm. P. ran away from the hotel in the hope of forgetting himself. He goes to the post office, deciding to send a telegram to this woman and say that further life without her does not make sense. But he doesn't know her name. The woman wished to remain just a beautiful stranger. The hero realizes with horror that he will never see her again. He lost the meaning of his future life. In the evening he went on a steamboat further. "The lieutenant sat under a canopy on the deck, feeling ten years older."

I. A. Bunin is known for being a master short stories. His small works are distinguished by piercing, emotionality. One of his favorite collections was "Dark Alleys", written by him during the Second World War. These short stories excite the reader, after reading them, he begins to reflect on the mysterious power of love. The closest in composition and content is "Sunstroke", written by the author in 1927.

Main characters

The heroes of Bunin's "Sunstroke" are an officer and a married lady. There are no names in the story, although the man tried to get the woman's name. But she refused to name him, deciding to remain a beautiful stranger to him. The lack of names in the narrative is an interesting feature of the story that shows the reader that this is a story about a simple man and a simple woman.

Calling his heroes only "he" and "she", the author does not endow them with hallmarks or bright appearance. This is an ordinary man and woman who met by chance on the ship. Bunin wanted all the reader's attention to be riveted to these two people, to what was happening between them. Therefore, there is no detailed description of their appearance and their acquaintance. In the center of the story - only he and she.

One of the points in the analysis of Bunin's "Sunstroke" is short description plot of the story. The narrative begins immediately with the fact that a man and a woman, who accidentally met on the ship, went out on deck. Nothing is known about them, except that he was a lieutenant, and she was a married woman returning home from Anapa.

Further in the story "Sunstroke" Bunin, summary which we cite in the article, it is said that the stranger was intoxicated by the meeting and those emotions that suddenly arose. The lieutenant offered to go ashore. The woman agrees, and they got off the ship at the next stop. They found some hotel and spent the night together. In the morning the woman was again the same as before, and told the officer about the impossibility of their further relationship. She left the city on the steamer, and the man stayed to wait for the next one.

And suddenly the room with her departure seemed empty to him. It became increasingly difficult for the officer to be alone, he missed her more and more. He dreamed of returning her, wanted to confess his feelings, but these were empty dreams. A man wanders around the city, trying to distract himself from thoughts about a stranger.

Tired of experiences, the officer fell asleep. Waking up, he slowly got ready and left on the arriving steamer. True, after this sudden meeting, the officer felt 10 years older. This was a summary of Bunin's "Sunstroke".

Theme of the story

The next point in the analysis of Bunin's "Sunstroke" is the definition of the subject matter of the work. Of course, this is a story about love and relationships. The theme of Bunin's "Sunstroke" is similar to the themes of most of his stories.

For the writer, love is not just sentimental sighs and platonic relationships. For Bunin, love is a flash, an explosion of emotions, a heat of passion, which manifests itself not only emotionally, but also physically. For Ivan Alekseevich, the sensual aspect of love was no less important, about which others usually did not write.

But all this is not described vulgarly, but the reader's attention is focused precisely on the emotions of a person. That's about such a love-flash, too much happiness is narrated in this story.

Composition features

In the analysis of "Sunstroke" by Bunin, one should consider the compositional features of the story. The story of this unexpected attraction seems to be framed by two landscapes - darkness and lights. Small gusts of wind, approaching lights - all this only emphasizes the swiftness, spontaneity of their feelings. Darkness is a symbol of the unknown that awaits this relationship.

But besides the exciting anticipation, there was something sad in the air. A warm summer evening, the dawn, the light of which is reflected in the calm ripples of the water, the lights ... All this seems to prepare the reader for the sad ending of a chance meeting on a steamer. The lights flickering ahead signify the happiness that awaits the heroes. When the officer leaves the city, they are left behind, as if showing that happy moments were left with a stranger.

But despite the small descriptions that were present in the story, the main place was occupied by the description inner world heroes. Landscapes were only supposed to frame this story, complement it beautifully. The meeting place is also quite symbolic - people met quite by chance. And then they just as simply parted and each went on his own voyage. All this only emphasizes the concept of Bunin's stories.

means of expression

In the analysis of "Sunstroke" by Bunin, it should be noted that at the very beginning a lot of verbal vocabulary is used. A quick change of actions, the repetition of verbs focuses on the swiftness of the feelings of the characters, their sudden desire. They are in a hurry, as if they are afraid that this sudden attraction will pass. And then they will again begin to reason prudently, and not obey the call of feelings.

Enthusiastic and sentimental epithets are almost never found in the story. Because the officer and the married lady do not have an elevated feeling at all, but some kind of eclipse, a sunstroke.

The inner world of the heroine

In the story "Sunstroke" by Bunin, the heroine is described as a small woman, in whose appearance everything was charming. She refuses to give her name to the officer, realizing that then all the magic of their meeting will melt away. The woman, most likely, was attracted by an accident in their meeting.

She easily agreed to the offer of a new acquaintance to go ashore. Although at that time it was insulting for a married lady. This already tells the reader that she can be a frivolous person.

In the morning the woman was again light and cheerful, but she was already guided by reason. It was she who initiated the termination of their further relationship. It turns out that the heroine easily broke up with the officer. From this we can conclude that this meeting was for her a sunstroke, an adventure, but no more.

The hero's inner world

For the officer, this meeting was more important than for the heroine. At the very beginning, he regarded this chance acquaintance as nothing more than a pleasant adventure. And when in the morning she said that they should no longer meet, the man easily agreed. It would seem that he did not attach serious importance to this fleeting feeling.

But when the hero realizes that the stranger has left him forever, only then does he realize that he needed her. He begins to be frightened by the storm of emotions that appeared with her departure. He had never experienced anything like this before. And the rush of attraction, happiness and longing for her combined together, which led to him realizing that this sunstroke was too much happiness for him.

But at the same time, the man is shown as a weak person: after all, he did not try to stop her. And I didn’t even think about fighting for my love. He could only remember this chance meeting on the ship.

Why was the story called that?

The meeting of the heroes and their sudden attraction to each other was like a flash that appears as suddenly as it disappears. And the emotions that they experienced from the impetuous feeling were as vivid as sunlight. Even at the very beginning, the heroine is surprised at how this acquaintance affected her.

Heroes were guided by desire, emotions. They seemed to be in a fever, the whole world ceased to exist for them for these brief happy moments. The meaning of Bunin's "Sunstroke" is that such short love, in which people were guided only by desire, could not last long. Indeed, for a real strong relationship, it is important to understand and feel the other person.

The problem of Bunin's "Sunstroke" is the complexity of relationships between people. Even though the heroes took everything lightly, the officer realizes that this eclipse was happiness for him. Ivan Alekseevich Bunin was sensitive to love, in his stories he considered various aspects of its manifestation. It could last a lifetime or be as fleeting as a sunstroke.

After dinner they left the brightly and hotly lit dining room on deck and stopped at the rail. She closed her eyes, put her hand to her cheek with her palm outward, laughed with a simple, charming laugh—everything was lovely about that little woman—and said: - I seem to be drunk ... Where did you come from? Three hours ago, I didn't even know you existed. I don't even know where you sat. In Samara? But still... Is it my head spinning or are we turning somewhere? Ahead was darkness and lights. From the darkness a strong, soft wind beat in the face, and the lights rushed somewhere to the side: the steamer, with Volga panache, abruptly described a wide arc, running up to a small pier. The lieutenant took her hand and raised it to his lips. The hand, small and strong, smelled of sunburn. And my heart sank blissfully and terribly at the thought of how strong and swarthy she must have been all under this light canvas dress after a whole month of lying under the southern sun, on the hot sea sand (she said that she was coming from Anapa). The lieutenant muttered:- Let's go... - Where? she asked in surprise. - At this pier.- Why? He said nothing. She again put the back of her hand to her hot cheek. - Madness... "Let's go," he repeated stupidly. - I beg you... "Oh, do as you please," she said, turning away. The steamer ran with a soft thud into the dimly lit pier, and they almost fell on top of each other. The end of the rope flew over their heads, then it rushed back, and the water boiled with noise, the gangway rattled ... The lieutenant rushed for things. A minute later they passed the sleepy desk, stepped out onto the deep, hub-deep sand, and silently sat down in a dusty cab. The gentle ascent uphill, among the rare crooked lanterns, along the road soft from dust, seemed endless. But then they got up, drove off and crackled along the pavement, here was some kind of square, official places, a watchtower, warmth and smells of a summer district town at night ... The cabman stopped near the illuminated entrance, behind the open doors of which an old wooden staircase, an old, unshaven footman in a pink blouse and frock coat, took his things with displeasure and walked forward on his trampled feet. They entered a large, but terribly stuffy room, hotly heated during the day by the sun, with white curtains drawn down on the windows and two unburned candles on the under-mirror, and as soon as they entered and the footman closed the door, the lieutenant rushed to her so impetuously and both suffocated so frantically in a kiss that for many years they later remembered this moment: neither one nor the other had ever experienced anything like this in their entire lives. At ten o'clock in the morning, sunny, hot, happy, with the ringing of churches, with a bazaar on the square in front of the hotel, with the smell of hay, tar, and again all that complex and odorous smell that a Russian county town smells like, she, this little nameless woman, and without saying her name, jokingly calling herself a beautiful stranger, she left. They slept little, but in the morning, coming out from behind the screen near the bed, having washed and dressed in five minutes, she was as fresh as at seventeen. Was she embarrassed? No, very little. As before, she was simple, cheerful and - already reasonable. “No, no, dear,” she said in response to his request to go on together, “no, you must stay until the next boat. If we go together, everything will be ruined. It will be very unpleasant for me. I give you my word of honor that I am not at all what you might think of me. There has never been anything even similar to what happened to me, and there will never be again. It's like an eclipse hit me... Or rather, we both got something like a sunstroke... And the lieutenant somehow easily agreed with her. In a light and happy spirit, he drove her to the pier - just in time for the departure of the pink "Airplane", - kissed her on deck in front of everyone and barely had time to jump onto the gangway, which had already moved back. Just as easily, carefree, he returned to the hotel. However, something has changed. The room without her seemed somehow completely different than it was with her. He was still full of her - and empty. It was strange! There was still the smell of her good English cologne, her half-finished cup was still on the tray, but she was gone... And the lieutenant's heart suddenly contracted with such tenderness that the lieutenant hurried to light a cigarette and walked up and down the room several times. — A strange adventure! he said aloud, laughing and feeling tears welling up in his eyes. - “I give you my word of honor that I am not at all what you might think ...” And she already left ... The screen was drawn back, the bed had not yet been made. And he felt that he simply did not have the strength to look at this bed now. He closed it with a screen, closed the windows so as not to hear the bazaar talk and the creak of wheels, lowered the white bubbling curtains, sat on the sofa ... Yes, that's the end of this "road adventure"! She left - and now she’s already far away, probably sitting in a glassy white salon or on deck and looking at the huge river shining under the sun, at the oncoming rafts, at the yellow shallows, at the radiant distance of water and sky, at all this immense expanse of the Volga. .. And I'm sorry, and already forever, forever... Because where can they meet now? “I can’t,” he thought, “I can’t, for no reason at all, come to this city, where her husband is, where her three-year-old girl is, in general her whole family and her whole ordinary life!” - And this city seemed to him some kind of special, reserved city, and the thought that she would continue to live her lonely life in it, often, perhaps, remembering him, remembering their chance, such a fleeting meeting, and he already would never see her, the thought astounded and astounded him. No, it can't be! It would be too wild, unnatural, implausible! - And he felt such pain and such uselessness of his whole future life without her that he was seized with horror, despair. "What the hell! he thought, getting up, again beginning to pace the room and trying not to look at the bed behind the screen. - What is it with me? And what is special about it and what actually happened? In fact, just some kind of sunstroke! And most importantly, how can I now, without her, spend the whole day in this outback? He still remembered her all, with all her slightest features, he remembered the smell of her tan and canvas dress, her strong body, the lively, simple and cheerful sound of her voice ... The feeling of the just experienced pleasures of all her feminine charms was still unusually alive in him. , but now the main thing was still this second, completely new feeling - that strange, incomprehensible feeling, which had not existed at all while they were together, which he could not even imagine in himself, starting yesterday, as he thought, only amusing an acquaintance, and about which it was no longer possible to tell her now! “And most importantly,” he thought, “you can never tell! And what to do, how to live this endless day, with these memories, with this insoluble torment, in this godforsaken town above that very shining Volga, along which this pink steamer carried her away! It was necessary to escape, to do something, to distract yourself, to go somewhere. He resolutely put on his cap, took a stack, quickly walked, clinking his spurs, along an empty corridor, ran down a steep staircase to the entrance ... Yes, but where to go? At the entrance stood a cab driver, young, in a dexterous coat, calmly smoking a cigarette. The lieutenant looked at him in confusion and amazement: how is it possible to sit on the box so calmly, smoke, and in general be simple, careless, indifferent? “Probably I am the only one so terribly unhappy in this whole city,” he thought, heading towards the bazaar. The market has already left. For some reason, he walked through the fresh manure among the carts, among the carts with cucumbers, among the new bowls and pots, and the women sitting on the ground vied with each other to call him, take the pots in their hands and knock, ringing their fingers in them, showing their quality factor, peasants deafened him, shouted to him: “Here are the first grade cucumbers, your honor!” It was all so stupid, absurd that he fled from the market. He went to the cathedral, where they were already singing loudly, cheerfully and resolutely, with a sense of accomplishment, then he walked for a long time, circled around the small, hot and neglected garden on the cliff of the mountain, above the boundless light-steel expanse of the river ... Shoulder straps and buttons of his tunic so hot that they could not be touched. The band of the cap was wet with sweat inside, his face was on fire ... Returning to the hotel, he entered with pleasure into the large and empty cool dining room on the ground floor, took off his cap with pleasure and sat down at a table near the open window, which smelled of heat, but that was all. - still breathed in the air, ordered botvinya with ice ... Everything was fine, there was immense happiness in everything, great joy; even in this heat and in all the smells of the marketplace, in all this unfamiliar town and in this old county inn, there was this joy, and at the same time, the heart was simply torn to pieces. He drank several glasses of vodka while eating salted cucumbers with dill and feeling that he would die without hesitation tomorrow, if it were possible by some miracle to bring her back, to spend one more day with her, this day - to spend only then, only then, to tell her and something to prove, to convince him how painfully and enthusiastically he loves her... Why prove it? Why convince? He didn't know why, but it was more necessary than life. - The nerves are completely gone! he said, pouring out his fifth glass of vodka. He pushed the botvinia away from him, asked for black coffee and began to smoke and think hard: what should he do now, how to get rid of this sudden, unexpected love? But to get rid of - he felt it too vividly - was impossible. And he suddenly got up again quickly, took a cap and a stack, and, asking where the post office was, hurriedly went there with the telegram phrase already ready in his head: “From now on, my whole life forever, to the grave, yours, in your power.” But, having reached the old thick-walled house, where there was a post office and a telegraph office, he stopped in horror: he knew the city where she lives, knew that she had a husband and a three-year-old daughter, but did not know either her last name or her first name! He asked her about it several times yesterday at dinner and at the hotel, and each time she laughed and said: “Why do you need to know who I am, what is my name?” On the corner, near the post office, there was a photographic display case. He looked for a long time at a large portrait of some military man in thick epaulettes, with bulging eyes, with a low forehead, with amazingly magnificent sideburns and the broadest chest, completely decorated with orders ... How wild, terrible everything is everyday, ordinary, when the heart is struck - yes, astonished, he now understood this, - this terrible "sunstroke", too big love, too much happiness! He glanced at the newlywed couple—a young man in a long frock coat and white tie, with crew cut, stretched out to the front arm in arm with a girl in wedding gauze—transferred his eyes to the portrait of some pretty and playful young lady in a student cap on one side... Then, languishing with tormenting envy of all these unknown to him, not suffering people, he began to stare intently along the street. - Where to go? What to do? The street was completely empty. The houses were all the same, white, two-storied, merchants', with large gardens, and it seemed that there was not a soul in them; thick white dust lay on the pavement; and all this was blinding, everything was flooded with hot, fiery and joyful, but here, as if by an aimless sun. In the distance the street rose, stooped and rested against a cloudless, grayish, gleaming sky. There was something southern in it, reminiscent of Sevastopol, Kerch ... Anapa. It was especially unbearable. And the lieutenant, with lowered head, squinting from the light, intently looking at his feet, staggering, stumbling, clinging to spur with spur, walked back. He returned to the hotel so overwhelmed with fatigue, as if he had made a huge transition somewhere in Turkestan, in the Sahara. Gathering the last of his strength, he entered his large and empty room. The room was already tidied up, devoid of the last traces of her - only one hairpin, forgotten by her, lay on the night table! He took off his tunic and looked at himself in the mirror: his face—the usual officer’s face, gray from sunburn, with a whitish sun-bleached mustache and bluish whiteness of eyes that seemed even whiter from sunburn—had now an excited, crazy expression, and in There was something youthful and profoundly unhappy about a thin white shirt with a stand-up starched collar. He lay on his back on the bed, put his dusty boots on the dump. The windows were open, the curtains were lowered, and a light breeze from time to time blew them in, blew into the room the heat of the heated iron roofs and all this luminous and now completely empty, silent Volga world. He lay with his hands behind the back of his head, staring intently ahead of him. Then he clenched his teeth, closed his eyelids, feeling the tears roll down his cheeks from under them, and finally fell asleep, and when he opened his eyes again, the evening sun was already reddish yellow behind the curtains. The wind died down, it was stuffy and dry in the room, like in an oven ... Both yesterday and this morning were remembered as if they were ten years ago. He slowly got up, slowly washed himself, raised the curtains, rang the bell and asked for the samovar and the bill, and drank tea with lemon for a long time. Then he ordered a cab to be brought in, things to be carried out, and, getting into the cab, on its red, burnt-out seat, he gave the lackey a whole five rubles. “But it seems, your honor, that it was I who brought you at night!” said the driver cheerfully, taking hold of the reins. When they went down to the pier, the blue summer night was already turning blue over the Volga, and already many multi-colored lights were scattered along the river, and the lights hung on the masts of the approaching steamer. - Delivered exactly! said the driver ingratiatingly. The lieutenant gave him five rubles too, took a ticket, went to the pier... Just like yesterday, there was a soft knock on its pier and a slight dizziness from unsteadiness underfoot, then a flying end, the noise of water boiling and running forward under the wheels a little back of the steamer that was moving forward ... And it seemed unusually friendly, good from the crowd of this steamer, already lit everywhere and smelling of kitchen. A minute later they ran on, up, to the same place where they had taken her this morning. The dark summer dawn was fading away far ahead, reflecting gloomily, sleepily and multi-colored in the river, which still shone here and there in trembling ripples far below it, under this dawn, and the lights scattered in the darkness all around floated and floated back. The lieutenant sat under a canopy on the deck, feeling ten years older. Maritime Alps, 1925.

Many of I. Bunin's works are hymns of true love, which has everything: tenderness, passion, and a feeling of that special connection between the souls of two lovers. Such a feeling is also described in the story "Sunstroke", which the writer considered one of his best works. Pupils get acquainted with him in the 11th grade. We offer to facilitate the preparation for the lesson by using the analysis of the work presented below. The analysis will also help you quickly and efficiently prepare for the lesson and the exam.

Brief analysis

Year of writing- 1925

History of creation- I. Bunin was inspired to write the work by the nature of the Maritime Alps. The story was created at a time when the writer was working on a cycle of works related to love.

Topic- main topic works - true love that a person feels both in soul and body. In the final part of the work, the motive of separation from a loved one appears.

Composition- The formal organization of the story is simple, but there are certain features. The elements of the plot are placed in a logical sequence, but the work begins with a plot. Another feature is the framing: the story begins and ends with a picture of the sea.

genre- Story.

Direction- Realism.

History of creation

"Sunstroke" was written by I. Bunin in 1925. It is worth noting that the year of writing coincided with the period when the writer worked on stories dedicated to the theme of love. This is one of the factors that explains the psychological depth of the work.

I. Bunin told G. Kuznetsova about the history of creation. After the conversation, the woman wrote the following in her diary: “We talked yesterday about writing and about how stories are born. I.A. (Ivan Alekseevich) it begins with nature, some picture that flashed through the brain, often a fragment. So the sunstroke came from the idea of going out on deck after dinner, from the light into the darkness of a summer night on the Volga. And the end came later

Topic

In "Sunstroke", the analysis of the work should begin with a description of the main problems. The story showed motive, very common both in world and domestic literature. Nevertheless, the author managed to reveal it in an original way, delving into the psychology of the characters.

In the center of the piece topic sincere, passionate love, in the context of which Problems relationships between people, separation of lovers, internal contradiction caused by incompatibility of feelings and circumstances. Issues works based on psychology. The system of images is unbranched, so the reader's attention is constantly focused on two characters - the lieutenant and the beautiful stranger.

The story begins with a description of lunch on the deck of the ship. It was in such conditions that young people met. A spark immediately flew between them. The man offered the girl to run away from strangers. They got off the ship and went to the hotel. When the young people were left alone, the flames of passion immediately engulfed their bodies and minds.

The time at the hotel flew by. In the morning, the lieutenant and the beautiful stranger were forced to part, but it turned out to be very difficult to do this. Young people wonder what happened to them. They assume it was sunstroke. In these arguments lies the meaning of the title of the work. Sunstroke in this context is a symbol of a sudden mental shock, love that overshadows the mind.

Beloved persuades the lieutenant to escort her to the deck. Here the man seems to be struck by sunstroke again, because he allows himself to kiss a stranger in front of everyone. The hero cannot recover for a long time after separation. He is tormented by thoughts that his beloved most likely has a family, so they are not destined to be together. A man tries to write to his beloved, but then he realizes that he does not know her address. In such a rebellious state, the hero spends another night, recent events are gradually moving away from him. However, they do not pass without a trace: it seems to the lieutenant that he has aged ten years.

Composition

The composition of the work is simple, but some features are worth paying attention to. Plot elements are placed in a logical sequence. Nevertheless, the story begins not with an exposition, but with a plot. This technique enhances the sound of the idea. The characters get to know each other, and then we learn more about them. The development of events - a night in a hotel and a morning conversation. The climax is the parting scene between the lieutenant and the stranger. The denouement - the outbreak of love is gradually forgotten, but leaves a deep imprint in the soul of the hero. Such a conclusion provides the reader with the opportunity to draw certain conclusions.

The framing can also be considered a feature of the composition of the work: the story begins and ends with a scene on the deck.

genre

The genre of the work of I. Bunin "Sunstroke" is a story, as evidenced by such signs: a small volume, leading role plays the storyline of lovers, there are only two main characters. The direction of the story is realism.

Artwork test

Analysis Rating

Average rating: 4.6. Total ratings received: 107.

The theme of love is the main one in the work of Ivan Aleksandrovich Bunin. "Sunstroke" is one of his most famous short stories. The analysis of this work helps to reveal the author's views on love and its role in the fate of a person.

What is typical for Bunin, he focuses not on platonic feelings, but on romance, passion, desire. For the beginning of the 20th century, this can be considered a bold innovative decision: before Bunin, no one openly sang and spiritualized bodily feelings. For a married woman, a fleeting relationship was an unforgivable, grave sin.

The author argued: "All love is a great happiness, even if it is not divided." This saying applies to this story as well. In it, love comes like an inspiration, like a bright flash, like a sunstroke. It is an elemental and often tragic feeling, which, nevertheless, is a great gift.

In the story "Sunstroke" Bunin talks about a fleeting romance between a lieutenant and a married lady, who sailed on the same ship and suddenly inflamed with passion for each other. The author sees the eternal secret of love in the fact that the characters are not free in their passion: after the night they part forever, not even knowing each other's names.

The motif of the sun in the story gradually changes its color. If at the beginning the luminary is associated with joyful light, life and love, then at the end the hero sees in front of him "Aimless Sun" and understands what he experienced "terrible sunstroke". The cloudless sky became grayish for him, and the street, resting against it, humped. The lieutenant yearns and feels 10 years older: he does not know how to find the lady and tell her that he can no longer live without her. What happened to the heroine remains a mystery, but we guess that falling in love will also leave an imprint on her.

Bunin's manner of narration is very "dense". He is a master of the short genre, and in a small volume he manages to fully reveal the images and convey his idea. The story contains a lot of short but capacious descriptive sentences. They are filled with epithets and details.

Interestingly, love is a scar that remains in the memory, but does not burden the soul. Waking up alone, the hero realizes that he is again able to see smiling people. He himself will soon be able to rejoice: a spiritual wound can heal and almost not hurt.

Bunin never wrote about happy love. According to him, the reunion of souls is a completely different feeling, which has nothing to do with sublime passion. True love, as already said, comes and goes suddenly, like a sunstroke.